In 2005, together with Jonathan Hares, a pair of drilled posters were made as a contribution to The Free Library, curated by Mark Owens. This prompted the exploration of possible methods of mechanised production. Using a standard CNC plotter, a rotated LCD display, an Apple TV, and a software interface, Empty Words cuts each dot of the poster in sequence at a controlled speed. Similar to a Linotype machine, the resulting device became a tool for the production of text works, used by both ourselves and the general public.
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